This
 is the fifth part in a series in which we are highlighting entries from
 our 6th annual Martin Luther King, Jr. Mural Competition. Student
 artists in the Chicago area were selected for the Competition based on 
their current portfolios. Congratulations to all our 2012 Competition 
participants! Come take a look and maybe even get inspired to enter the 
competition yourself next year!
Elcin Marasli
School of the Art Institute of Chicago, '13 
"My project consists of multiple hand drawings in various expressive 
states, symbolizing the sufferings, hope and victory of a "handful of 
society" or "hands of the people" coming together for the progress and 
maintenance of justice. The overall mural is a symbolic, decorative and 
abstract form revealing a homogenous single drop of water at large, 
overlaid with drawings of hands in black, uniform stroke. When the 
morning sun directly hits the window, the animated brush strokes allow 
for a playful reflection of changing tones of the color blue. The 
labor-intensive layering of brush strokes also indicates the historical 
progression in the fight for justice as a timely endeavor.
The composition is divided into three sections, as is the actual phyical
 window surface. The bottom part includes a large-scale drawing of 
Martin Luther King's hands connected in wishful position (note King's 
ring to identify). King's person endeavor in fighting for justice and 
equality is depicted in the expressivity of his hand gesture as a 
symbolic outreach from the personal to the public, where he lays ground 
for the fight for justice with his own hands, and opens it up for people
 to enliven his dream. The second (middle) section of the mural includes
 smaller-scale hands in giving and taking positions, representing 
society at large opening up to King's ideas and taking them in. Finally,
 the third and top part of the mural consists of small-scale hands in 
positions of victory and strength, in this case closed fists, portraying
 justice at it's victorious state.
In changing scale from small at the top to larger at the bottom, the 
image imitates a flowing motion of water, or a big drop / splash of 
water from the source to the basin. There are no power relations 
involved in the flow of justice. King is not only a giver but also a 
receiver, and the public at large is equally a source of opinions 
constantly flowing, in and out of King's foundational basis, enlivening 
and transforming it. This is also to suggest that that "justice case 
roll like water" only in an environment of mutual exchange of ideas and 
understanding between King and sociey at large, with an equal strive for
 equal rights to each member of the society, a homogenous and uniform 
coexistence."
Ji Ha Park
School of the Art Institute of Chicago
School of the Art Institute of Chicago
"We are basically different. We have different skin color, gender, 
ethnicity, age and so on. We also live in different situations in this 
world. However, we are all the same human beings. There is no question. 
However, in reality we still discriminate against the visible 
differences. Nevertheless, I believe that it can be changed little by 
little. My message of this painting is "hope." We should not forget the 
message by Dr. King, all beings are equal, the same."
*The murals
 are on display through March at Hostelling International Chicago, 24 
East Congress Parkway. The exhibition is free and open to the public for
 viewing between 9am and 9pm, seven days a week. Check out our website for more information and the complete gallery! Don't forget to check out part 1, part 2, part 3, and part 4 of the series, and have a lovely Leap Day!







